Don’t Dress for Dinner

Q: Farces are know for quick rhythms, eccentric characters in extreme situations, and lots of entrances and exits. What do you find to be most exciting and challenging aspects of performing in a farce?

Q: This play is normally set in the 1960's, but in this production you are pulling it forward into the 1980's. What inspired this decision and how do you feel that this adjustment of decade informs the direction you are taking with the show?