Q: Everybody is a contemporary adaptation of the medieval morality play entitled Everyman. In your interpretation of the script, what about this adaptation is timeless in regards to its source material, and what do you think is “right-now” about it?
A: Everybody and Everyman explore some of life’s biggest questions--why are we here, what happens after death, how ought we to live our lives, etcetera. Those themes are timeless and apply to all people, past and present. Both plays also portray universal concepts like Death, Strength, Beauty, and Knowledge/Understanding as personified figures who interact with their namesake characters as if they were human. Although our relationships with those concepts may change over time, they too are timeless and immortal.
The major difference between the plays is in their delivery. When writing Everybody, Branden Jacobs-Jenkins completely contemporised the antiquated language of Everyman by incorporating phrases like “homey,” “Society and the Media,” and “various streaming accounts.” He also made slight adjustments to the original play’s structure, making it more relatable for a modern audience while simultaneously challenging our 21st century expectations of the theatre.