A moment with Director Marianne Galloway about the balance

Q: In a time when facts seem to be something you can choose believe in or not and in a time when art is, at its core, a medium for truth-telling, The Lifespan of a Fact brings up a lot of interesting notions and ideas to wrestle with. In bringing this regional premiere comedy to Stage West, how do you balance the hilarious tone of this play with the very timely conflict it’s exploring? And what do you think the play is offering us in terms of a way forward?

A: One of the many fun things about a play like Lifespan of a Fact is that it allows us to laugh as we wade into some very deep and treacherous waters: What constitutes a Fact? Does the sum of a collection of Facts equal The Truth? Is Truth is more powerful than Fact? 

What starts as a simple splash in the colorful, fun, shallow end becomes a struggle against a maelstrom.  Our very notions of “right” and “wrong” swirl in on themselves, ultimately blurring into a Gordian Knot of logical fallacies and drowning our equilibrium.

The balance in this type of play comes from the storytellers, and we are fortunate to have three magnificent actors taking us on the journey. Dana Schultes, Chris Hury, and Evan Michael Woods are masterful and nuanced in their ability to elicit laughter in one moment, then drive home a core truth in the next. They are an extraordinary ensemble.

As both a society and individuals, we live in a constant battle of Fact versus Truth in both a macro and micro sense. While current events certainly put that battle in the foreground of our collective consciousness on a daily basis, this isn’t a new struggle. What the play offers us in the way of moving forward is evident in it’s key active example: Keep listening and talking to and with one another. Acknowledge the validity and value of another’s perspective. Stay open to what you don’t understand in the hope that growth towards understanding can occur. It may not happen today, but there is hope for tomorrow.