made his Stage West scenic design debut with Major Barbara, in addition to serving as resident Technical Director. He had worked on several sets as a stage carpenter during the 1980s. He has been working in technical theatre since 1977 when he began as an apprentice at Casa Manana while in high

joined Stage West in its first season. He has directed Noises Off, The Clean House, The Pillowman, The Immigrant, As Bees in Honey Drown, Puppet Boy, Private Lives, The Coming World, [sic], Cherry Docs, Alfred Stieglitz Loves O'Keeffe, A Skull in Connemara, Sueno, A Streetcar Named Desire, and Angels in America I & II, among many others. He has designed costumes and sets for

moved to the area a year and a half ago and is happy to be involved with designing theatre again. She spent seven years in Washington, DC, where she served as designer for the Actors Theatre of Washington production of Boston Marriage.  She has also costumed for the Trinity Shakespeare Festival, the

Mark is an artist, illustrator, set designer and author. He has a degree in Visual Communications from the Art Institute of Dallas, and trained in scenic design at the Minneapolis College of Art and Design, interning with the Minneapolis Children’s Theatre Co.

has been the theatre's resident lighting designer for the past twenty-seven seasons.  Mr. O'Brien has held positions with Irving Arts Center, Lyric Stage, Eagle Audio & Lighting, Shakespeare in the Park, Fort Worth Theatre, Bill Fegan's National Tours,

joined Stage West as Stage Manager, and has since added Company Manager to her title. She stage managed most of the shows since her arrival at Stage West, and has assisted with costume design for several shows, including Noises Off, The Sweetest Swing in Baseball, The Clean House, Puppet Boy, Johnny Guitar, Private Lives, and Jacques Brel.