Jerame Browning is a former Texas Wesleyan University student who has been booth operations person for Stage West on a number of productions, including The Code of the Woosters and The Sweetest Swing in Baseball. He served as Sound Designer for our production of Blithe Spirit. His past experience includes sound design for Search and Destroy at TWU, as well as

joined Stage West in its first season. He has directed The Pillowman, The Immigrant, As Bees in Honey Drown, Puppet Boy, Private Lives, The Coming World, [sic], Cherry Docs, Alfred Stieglitz Loves O'Keeffe, A Skull in Connemara, Sueno, A Streetcar Named Desire, and Angels in America I & II, among many others. He has designed costumes and sets for such productions as

Has been associated with Stage West since 1989, working originally in development and box office. She has provided props and set decoration for such memorable sets as Noises Off, Major Barbara, Private Lives, [sic], Comic Potential, Broadway Bound, Visiting Mr. Green, and Collected Stories, and is an antiques aficionado. She has a BA in English and an MA in Urban Affairs from UTA.

Has been the theatre's resident lighting designer for the past twenty-eight seasons.  Mr. O'Brien has held positions with Irving Arts Center, Lyric Stage, Eagle Audio & Lighting, Shakespeare in the Park, Fort Worth Theatre, Bill Fegan's National Tours,

joined Stage West as Stage Manager, and has since added Company Manager to her title. She has stage managed most of the shows since her arrival at Stage West, and has assisted with costume design for several shows, including Good Things, A Don't Hug Me Christmas Carol, Dead Man's Cell Phone, The

is a Dallas-Ft. Worth based theatre director, whose productions have garnered both critical acclaim and award recognition. In 2008 he directed David Mamet’s Edmond (Second Thought Theatre), All’s Well That Ends Well and The Merchant of Venice(Shakespeare Dallas), Tennessee Williams’ A Streetcar Named