Bill made his Stage West sound design debut with Johnny Guitar, and has also contributed sound design for As Bees in Honey Drown and last summer’s The Pillowman.  He has served as Sound Designer for Plano Rep’s productions of Violet, Chicago, Forever Plaid, Swing!, Camelot, and Cinderella. His other sound design credits

Jakie has contributed fight choreography for several Stage West productions, including The Pillowman, As Bees in Honey Drown, Private Lives, A Streetcar Named Desire, the Herbal Bed, Brighton Beach Memoirs, Angels in America Part II, Criminal Hearts, A Skull in Connemara, Loot, and Macbeth. 

joined Stage West in its first season. He has directed Blithe Spirit, Noises Off, The Clean House, The Pillowman, The Immigrant, As Bees in Honey Drown, Puppet Boy, Private Lives, The Coming World, [sic], Cherry Docs, Alfred Stieglitz Loves O'Keeffe, A Skull in Connemara, Sueno, A Streetcar Named Desire, and Angels in America I & II, among many others. He has designed

Has been associated with Stage West since 1989, working originally in development and box office. She has provided props and set decoration for such memorable sets as Noises Off, Major Barbara, Private Lives, [sic], Comic Potential, Broadway Bound, Visiting Mr. Green, and Collected Stories, and is an antiques aficionado. She has a BA in English and an MA in Urban Affairs from UTA.

Has been the theatre's resident lighting designer for the past twenty-eight seasons.  Mr. O'Brien has held positions with Irving Arts Center, Lyric Stage, Eagle Audio & Lighting, Shakespeare in the Park, Fort Worth Theatre, Bill Fegan's National Tours,

joined Stage West as Stage Manager, and has since added Company Manager to her title. She has stage managed most of the shows since her arrival at Stage West, and has assisted with costume design for several shows, including Good Things, A Don't Hug Me Christmas Carol, Dead Man's Cell Phone, The