Production Staff

Jason Domm (Technical Director)

made his Stage West scenic design debut with Major Barbara, in addition to serving as resident Technical Director. He had worked on several sets as a stage carpenter during the 1980s. He has been working in technical theatre since 1977 when he began as an apprentice at Casa Manana while in high

Jim Covault (Director, Set Designer, Co-Costume Designer)

joined Stage West in its first season. He has directed Blithe Spirit, Noises Off, The Clean House, The Pillowman, The Immigrant, As Bees in Honey Drown, Puppet Boy, Private Lives, The Coming World, [sic], Cherry Docs, Alfred Stieglitz Loves O'Keeffe, A Skull in Connemara, Sueno, A Streetcar Named Desire, and Angels in America I & II, among many others. He has designed

Lynn Lovett (Props, Set Decor)

has been associated with Stage West since 1989, working originally in development and box office. She has provided props and set decoration for such memorable sets as Noises Off, Major Barbara, Private Lives, [sic], Comic Potential, Broadway Bound, Visiting Mr. Green, and Collected Stories, and is an antiques aficionado. She has a BA in English and an MA in Urban Affairs from UTA.

Michael O'Brien (Lighting Designer)

has been the theatre's resident lighting designer for the past twenty-seven seasons.  Mr. O'Brien has held positions with Irving Arts Center, Lyric Stage, Eagle Audio & Lighting, Shakespeare in the Park, Fort Worth Theatre, Bill Fegan's National Tours,

Peggy Kruger-O'Brien (Production Stage Manager, Co-Costume Designer)

joined Stage West as Stage Manager, and has since added Company Manager to her title. She has stage managed most of the shows since her arrival at Stage West, and has assisted with costume design for several shows, including Good Things, A Don't Hug Me Christmas Carol, Dead Man's Cell Phone, The

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