A chat with Megan Haratine about playing Everybody and everyone

Q: For this show, a handful of the cast (including you) discover which roles they will be playing at any given performance during the show - what a thrill!! How do you prepare for a process like that, where you must know all of the roles, but only learn which role you will be playing each night during the show?

A: During the course of our rehearsals for Everybody, I have had to begin considering this show almost as a one person show in order to prepare for any possibility. In developing each character, I have leaned heavily into physical centers and differing vocal qualities and speech patterns, much of which is inherent in Jacobs-Jenkins’s vivid text and in each character’s actions. In doing so, I am hoping to be able to tap in more quickly not only to each character but also to the unique aspect of the story that they each represent.

In addition, we are working to build a strong foundation of trust among the “Somebodies” since we will need to have one another’s backs during the production no matter what configuration we may be in. Unlike some runs of shows, I will not be focusing as much on coining it fresh each time – since most likely, it will already be fresh based on a new set of who is play who – but rather I will need to stay grounded and flexible to ride whatever wave of possibility comes my way. 

I think this show is the epitome of what is exciting about live theatre – and also life itself! Anything can happen. All I can do is my best to prepare for anything and then live fully in the moment as it is handed to me.  

 

Show: